Showing posts with label annie hall. Show all posts
Showing posts with label annie hall. Show all posts

Tuesday, 30 July 2013

Annie Hall Review

Annie Hall is often considered to be Woodie Allen's best work. It revolves around the rocky relationship between Alvy Hall, played by Allen, and Annie Hall, played by Diane Keaton. We see the couple live their day to day life in New York, take a trip to Los Angeles and... not much else, really.


It appears to me that the film was missing a plot. The film feels like a collection of home videos thrown together in chronological order, and although interesting to watch, there is a sense of emptiness about the whole film, especially once the ending is revealed. This lack of story is almost mimicked in Annie Hall's lack of ability to connect with Alvy on an intellectual level. It appears that as we are watching the film, and realising that a good plot is vital in sustaining an audience's attention, Alvy is realising that intellect in a partner is vital in sustaining a relationship and understanding a pessimist such as himself. Perhaps the intellect is in the script of a film, and if so, Allen chose a beautiful way to get across his message, however, as the film was originally intended to be a murder mystery but the idea got dropped last minute, it seems to me that this is not the case.

Don't get me wrong, the film was enjoyable to watch, perhaps due to the fact that it only runs for an hour and a half, and the quirky character of Alvy is hilariously easy to relate to. His exaggerated misanthropist opinions make for great comedy, and nobody I can think of would fit the role of Alvy more than Woody Allen himself. We listen to him and relate to what he is saying, be it through his bluntly honest opinions on Sylvia Plath, and the 'college generation' readers of her poetry, his opinions of the two states of being, the miserable and the horrible,  or his flashback to his school days.

The most interesting feature of the film is the way it shows its awareness of the differences between the film world and the real world. Alvy actually states "If only this was real life" to the camera, and frequently turns, breaking the fourth wall, and showing us his feelings, he is aware that he is only a character in a film, it appears. We see him visit his school class back in the days when he was a student, with him, a fully grown man, sitting at his desk and arguing with the teacher, and also taking Annie and Rob back to his childhood home, in a time where his parents are arguing and there is a party going on. Allen is aware of the possibilities of the film form and uses them interestingly and engagingly.

The camerawork of the film is remniscent of indie cinema. The use of natural lighting, off-screen space and sometimes handheld camerawork allows us to feel that New York is not the concrete jungle that sits thousands of miles away, but a reachable place that contains people just like those from our own towns and cities. Split screens are used for comparisons and superimposition is used to represent Annie's lack of mental interest in sex, the technicalities of the film are done very straight forwardly, which works, I don't think it was Allen's goal to achieve any groundbreaking technical work on this film, he wanted to create memorable characters, and that he did.

I did really like this film, the performances were brilliant and a definite highlight for me. The film collected awards upon awards at the Oscars and the BAFTAs back in 1977, and for a reason, an extremely quirky romantic comedy with laugh out loud scenes, this film is hilarious and a pleasure to watch.

Monday, 29 July 2013

The Film Tag

There is no witty or original name for this tag, I'm afraid. I think the idea of tags are really fun, and after searching for many film-related ones and coming to no real success, I decided to make my own. Feel free to post your own answers even if I haven't tagged you!

If you could choose one (dead or alive) director & two (dead or alive) actors/actresses to collaborate on a film project who would they be? 

→ Alfred Hitchcock, Alfred Hitchcock, Alfred Hitchcock. There could be no other answer to this question, he is the absolute master of cinema in my eyes, delivering amazingly engaging films from his first in the late 1920s to his last in the late 1970s. I would want him to be in the mindset he was in during the 1950s, however, where most of my favourite Hitchcock films were produced and I feel that creatively he was at his best.
Cillian Murphy would work brilliantly with Hitchcock's style, his acting ability constantly surprises me and I love his work. I would also love to see Jessica Chastain in the leading female role, showing her versatility in her constant changes of characters from The Tree of Life to Zero Dark Thirty, she would fully deserve a role in this production.

A film from your favourite director that you think is underrated.

→ Since Hitchcock directed around 53 feature films in his career span, there are so many gems that get out-shined by the handful of films he made that are projected to a legendary status. While the likes of Psycho and The Birds are brilliant in their own right, smaller films such as Family Plot are often disregarded as mediocre films, when the truth of the matter is Family Plot is a hilarious final film from Hitchcock. The comedy is brilliant, the suspense is mastered and the film boasts one of my favourite scripts to come from Camp Hitchcock. With the film being very, very '70s, the style would be one that people, without knowing, would never think of as being a Hitchcock film, yet is as enjoyable as one of his most recognisable.

Your favourite adaptation of a book on screen. 

→ I am absolutely in love with Baz Luhrmann's Romeo & Juliet, with the film being one of my most watched. There is always issues and arguments whenever a director chooses to adapt any of Shakespeare's works, however  I think that Luhrmann is a truly visionary director, and the combination of his love for challenging the canon, incorporating music so effortlessly into his films and his unique style makes his films extremely enoyable.

The last film you watched & the next film you plan on watching.

→ The last film I watched was Coraline, yesterday, and the next film I plan on watching is Annie Hall, this afternoon.

Do you own any interesting film memorabilia? Stories behind them?

→ 'Interesting' is subjective, however in my bedroom at my childhood home I have posters of Pulp Fiction and Taxi Driver, two of my favourite films growing up. In my room in London I have a picture of Alfred Hitchcock, and in my attic somewhere I have a huge, and I mean HUGE, poster that I got when I went to the Oz the Great and Powerful premiere a few months back. It's really big.

Favourite past (dead), present (living) and future (upcoming) directors.

 Past: Alfred Hitchcock, Stanley Kubrick.
Present: David Lynch, Wes Anderson, Baz Luhrmann, Nicolas Winding Refn.
Upcoming: Adam Leon, Jonathon Levine.

Someone you would like to see a film made about. Who would direct it? Who would star in it?

→ I'm extremely interested in the Royal Family, so I feel like films about them are always fun to watch. I would love to watch a film portraying a fictional dramatisation of the rumours surrounding Prince Charles having an affair with Camilla. I'm not sure that would be allowed, but I think it would be an interesting film. The reason I mention it being a fictional dramatisation is that I'm pretty sure it would be illegal to claim it was based on a real life story. I think Spielberg would be a solid choice to direct the film, with him showing he can make heavy dialogue in films interesting and moving, which I feel that a film of this type would need. Another good choice to direct the film would be Tom Hooper.

So that is the end of the questions on this tag, I enjoyed thinking about the questions and writing my answers, and if you think you will, too, don't hesitate to copy the questions and answer them yourself.